Books

My books engage with publishing not just as a means of dissemination, but as a conceptual framework—one that interrogates how knowledge about the body is recorded, distributed, and controlled. I work with ephemeral and fragile materials, often repurposing medical forms, exam table paper, and found documents, to challenge the authority of the printed record. The act of sequencing, binding, and stitching becomes a way to intervene in these histories, complicating the idea of fixed narratives and inviting a more tactile, nonlinear engagement with the work. By integrating elements of both artist books and publishing practices, I explore how bodies—especially those of women and gender-marginalized people—have been documented, medicalized, and archived. My approach resists conventional modes of publishing in favor of something more intimate, fragmented, and open-ended, aligning with experimental and artist-led publishing traditions.